It’s not you, it’s thee.
The Royal Kumari of Kathmandu always strikes me as a tragedy. Not a walking tragedy, mind, because of course she is not strictly allowed to walk.
The Royal Kumari is a little girl in Nepal who has passed a long list of physical, behavioral, and astrological criteria, and a series of complicated tests, to be declared the physical manifestation of the badass goddess Durga. She has among her attributes (according to Wikipedia):
- a neck like a conch shell
- a body like a banyan tree
- eyelashes like a cow
- thighs like a deer
- chest like a lion
- voice soft and clear as a duck’s
…whatever that means!
After she’s been selected, the Royal Kumari leaves her old life behind. She moves to a palace and becomes a living deity. Each movement and expression is analyzed; she’s treated with awe and deference; her feet can never touch the ground. She also wears a really complexion-killing amount of makeup on her forehead every day.
Then, one day she gets her first period, and it all stops. She’s no longer a goddess. She’s just some kid the goddess used to inhabit but doesn’t anymore and never will again. They start looking for a new, untainted Kumari immediately, and she’d better have a neck like a conch shell, dammit.
The scorned, newly adolescent, erstwhile Kumari will get a pension from the government for the rest of her life, probably move on, get married (despite a tradition that it’s unlucky to marry a former Kumari), do whatever it is you do with your life in Nepal. It’s not a bad gig, really.
But how jarring, how devastating is it to be a goddess one day and a mortal girl the next? How cast-off must she feel? How embarrassed and enraged that her body betrayed her by succumbing to menarche?
I wonder if it feels like the first time you realize someone is falling out of love with you, but in her case that someone is a deity, a religion, and an entire country.










